The man in the other narrative is introduced just as the other narrative finishes until later on. The man is in hospital, being pushed on a gurney down the white corridors, until they stop at a set of double doors. Around this time, the singer is shown again in the third narrative, as the man sits up, gets off the gurney, and walks through the hospital (signs of 'sadness' and 'devotion' direct towards the place where the man has just come from, and a 'dancer' sign that points in the direction he is going). The hospital is sort of a metaphor for the mans ruined life. The man then leaves the double doors and starts walking to an unknown destination. As this is happening, the woman is shown walking down a street, feeling at her frowning eyebrows and noticing that they are peeling off. She pulls these stickers off, now revealing a much happier face as she walks towards the unknown destination. The stickers represent sort of a manufactured sadness that becomes automatic when people live the same life day after day. Now she has given her 'regards to soul and romance,' she can set off to become the 'dancer.' With the bands performance and singing lasting, the woman finally reaches the outside of a forest, in which she begins to pass through. Around this time, the man from the other narrative enters the same place, just metres across from the unsuspecting woman (the man also doesn't realise that the woman is nearby). The music becoming louder to both people, they quicken through the forest, both eventually reaching a clearing at the same time, but still not noticing each other. It's at this point where the story briefly cuts to a deserted street, as though to question the disappearance of everybody. Cutting back to the man and the woman in the forest clearing, a large crowd of people are shown surrounding the band. Upon noticing the man and the woman, and upon the man and the woman noticing each other for the first time, the crowd rushes towards both people. The video ends with the two people being brought through the crowd and everybody becoming much more joyous.
Showing posts with label lyrics. Show all posts
Showing posts with label lyrics. Show all posts
Tuesday, 5 November 2013
Treatment of my Music Video
For my own interpretation of the song 'Human' by The Killers, I have constructed a trio of narratives on my storyboard. This is where I have created two separate settings for the two main characters to start in, then a third is included to show the band performing the song in certain sections throughout my storyboard. The two separate storyboard narratives will follow a man and a woman, who both live separate but very average lives. The woman is introduced sleeping in bed with dishevelled hair and wearing all of her clothes instead of clothes like pyjamas etc, to insinuate that her life is out of order in some ways. She wakes up with a depressed look on her face, then walks towards her phone (which is ringing) and then, just as she picks it up, the shot of the singer is shown with the microphone. The woman then suddenly drops her phone, as though she has just heard the singing, then begins to peel off a fake upturned smile imprinted on a sticker over her mouth, which when she removes, she is smiling, then leaves her apartment/room and starts walking to an unknown destination that is revealed later on.
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Sunday, 20 October 2013
Music Video Analysis 101
Name Of Song- Shampain
Artist- Marina & the Diamonds
GENRE CHARACTERISTICS
The observations for the genre characteristics of 'Shampain,' it being an alternative/indie genre, is the location, the tune of the song, the cinematography style and the costume. The evidence for the location is obvious with the video, as the setting isn't a large place; a play park for most of the video. We see Marina doing a thriller-style dance through a littered park with two backup dancers. The evidence for the tune of the song is that, even though the video was released in 2010, it has a very retro vibe and sound to it, which isn't exactly a widely used style in mainstream song culture. The evidence for the cinematography is that the look and feel of the video, with help from the camera angles and shots, is a sort of glamorous cheesy indie retro feel through shots such as a close-up of Marina's face with heavy make up, only used to contrast with the smeared make up on her face later on, which is shown with surrounding smoke effects and backup dancers moving like the zombies in Michael Jackson's Thriller, generating the glamorous, cheesy retro feel. The evidence for the costume is obvious as the only costumes worn are binary opposites; a beautiful dress and then a ripped up dress. This implies the possibly small budget as different costumes aren't worn every 5 seconds, unlike mainstream pop music videos.
RELATIONSHIP BETWEEN LYRICS AND VISUALS?
There seems to be connection with these factors, as there is in almost every indie/alternative music video. Here, the lyrics 'drinking champagne, to forget yesterday, 'cause I remember, the way the way the way, I ended the day...' is quite easily connected with the visuals, such as Marina wearing a nice dress and shown in a golden-coloured tone, then wearing a torn dress, as though she's remembering something bad she may have done and tries to 'forget yesterday.'
RELATIONSHIP BETWEEN MUSIC AND VISUALS?
There is only little relationship between music and visuals, as indie probably pays more attention to lyrical meaning and visual representation. However, the rhythm of the music, it being in a retro style, is synchronized at times with the backup dancers and Marina herself as they do their own rendition of the Thriller (as I've said before, so forgive me).
ARE THERE CLOSE-UPS OF THE ARTIST AND STAR IMAGE MOTIFS?
There are quite a few close-ups of Marina used between the switch overs of her costume and make up. This doesn't create a star image motif, as her dressing isn't similar in other videos, and there isn't really any justifiable motif to do with her style in other videos and singles.
IS THERE REFERENCE TO THE NOTION OF LOOKING?
ARE THERE INTERTEXTUAL REFERENCES?
There are two intertextual references, one lyrical and one visual. The lyrical intertextual reference is when the line 'made by the angel, who goes by the name, of glittering Gabriel' references the angel Gabriel from the Holy Bible, as well as the word 'celestial' being sung at times. The visual intertextual reference is that of (you guessed it) Thriller by Michael Jackson, with the dance moves closely resembling the moves in the 1981 music video.
IS THE VIDEO CATEGORY ILLUSTRATION, DISJUNCTURE OR AMPLIFICATION? HOW MUCH?
The video is 40% disjuncture, 50% amplification and 10% illustration. It is disjuncture as there are a lot of times where Marina is just shown stumbling zombie-like through a park, which doesn't really connect with the lyrics. However it's also amplification because the stumbling through the park and the zombie-like women seem to reflect that something has gone wrong due to a 'bad night,' which is why Marina is shown well dressed and then dishevelled. The small section that is illustration is just where Marina gets up and walks away from a set of stairs during the lyrics 'the day the day the day that I walked away, away away away.'
THE VIDEO- http://youtu.be/-vHi83LTQjU
Tuesday, 15 October 2013
Our 'Big Fat' Music Video Research Presentation
I have constructed a short powerpoint (ironic considering the title) based around the section that i am researching for our rendition on the music video 'Human' by The Killers. I'm researching the lyrics to the song, so that i can analyse them and attempt to put them into our own version of the video (for the same song) and try to visually interpret them in as much of a different way compared to the original video. Here are the screenshots of my powerpoint:




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Monday, 7 October 2013
The Killers- Human: The Final Music Video, The Planning Stage
It seems, these days, that I'm beginning planning on a tonne of different music videos. This is a plan for our newly appointed music video; 2009's 'Human' by The Killers, the four man band fronted by Brandon Flowers. Beginning our planning today, me, Kayleigh and Jack have chosen different areas of research for the video to be able to piece together later on and create our own vision of the song.
I chose the lyrical side of the research. Even though this sounds easy enough, I need to be able to annotate the lyric sheet, pick out certain words and find as many allegoric/symbolic references as 'human'ly possible (see what I did there)?
From first look of the lyrics, they seem to be referencing life, love, suicide and 'opening doors.'
From the perspective of another, the line "are we human, or we dancer" is "his way of asking would you rather be human and live and live everyday doing the same thing, or being a dancer and feeling the music and doing a dance that isn't a regular routine."As I carry on with this research, I'll update my blog to show you the latest news on the research and eventually merge all of the research from each group member together and create a presentation containing this information, using any possible website that creates presentations.
So here are the lyrics that I am annotating:
I chose the lyrical side of the research. Even though this sounds easy enough, I need to be able to annotate the lyric sheet, pick out certain words and find as many allegoric/symbolic references as 'human'ly possible (see what I did there)?
From first look of the lyrics, they seem to be referencing life, love, suicide and 'opening doors.'
From the perspective of another, the line "are we human, or we dancer" is "his way of asking would you rather be human and live and live everyday doing the same thing, or being a dancer and feeling the music and doing a dance that isn't a regular routine."As I carry on with this research, I'll update my blog to show you the latest news on the research and eventually merge all of the research from each group member together and create a presentation containing this information, using any possible website that creates presentations.
So here are the lyrics that I am annotating:
THE KILLERS LYRICS
I did my best to notice
When the call came down the line
Up to the platform of surrender
I was brought but I was kind
And sometimes I get nervous
When I see an open door
Close your eyes, clear your heart
Cut the cord
Are we human or are we dancer?
My sign is vital, my hands are cold
And I'm on my knees looking for the answer
Are we human or are we dancer?
Pay my respects to grace and virtue
Send my condolences to good
Hear my regards to soul and romance
They always did the best they could
And so long to devotion
You taught me everything I know
Wave goodbye, wish me well
You've gotta let me go
Are we human or are we dancer?
My sign is vital, my hands are cold
And I'm on my knees looking for the answer
Are we human or are we dancer?
Will your system be alright
When you dream of home tonight
There is no message we're receiving
Let me know, is your heart still beating?
Are we human or are we dancer?
My sign is vital, my hands are cold
And I'm on my knees looking for the answer
You've gotta let me know
Are we human or are we dancer?
My sign is vital, my hands are cold
And I'm on my knees looking for the answer
Are we human or are we dancer?
Are we human or are we dancer?
Are we human or are we dancer?
When the call came down the line
Up to the platform of surrender
I was brought but I was kind
And sometimes I get nervous
When I see an open door
Close your eyes, clear your heart
Cut the cord
Are we human or are we dancer?
My sign is vital, my hands are cold
And I'm on my knees looking for the answer
Are we human or are we dancer?
Pay my respects to grace and virtue
Send my condolences to good
Hear my regards to soul and romance
They always did the best they could
And so long to devotion
You taught me everything I know
Wave goodbye, wish me well
You've gotta let me go
Are we human or are we dancer?
My sign is vital, my hands are cold
And I'm on my knees looking for the answer
Are we human or are we dancer?
Will your system be alright
When you dream of home tonight
There is no message we're receiving
Let me know, is your heart still beating?
Are we human or are we dancer?
My sign is vital, my hands are cold
And I'm on my knees looking for the answer
You've gotta let me know
Are we human or are we dancer?
My sign is vital, my hands are cold
And I'm on my knees looking for the answer
Are we human or are we dancer?
Are we human or are we dancer?
Are we human or are we dancer?
Taken from http://www.azlyrics.com/lyrics/killers/human.html
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Tuesday, 24 September 2013
Group Music Video: Fluorescent Adolescent- The Storyboard Years Part 1
For the last couple of weeks, we have been working on creating a music video for a song that we were given: 'Fluorescent Adolescent' by The Artic Monkeys. Through these couple of weeks, we got into a group of four; drawing our own sections of the storyboard by basing it off the lyrics from the song. We then began cutting up the storyboard frames and interweaved them with each other to form the three main scenes of the music video; creating a story as the background for the video. The three main scenes were: The band shown to be playing the instruments and singing; the story shown through an almost literal style; and cross-cuts that show a woman with a paper mask on that changes emotion every time the camera cuts to her, with certain items being used to symbolise the fall of her adolescence (which is literally shown as a scene shows cut up letters that create the word 'Adolescent' fall before the woman wearing the mask. I created the scenes for the latter description: the masked woman, mostly because I had no idea how to interpret the lyrics until i was given a hint that she was growing up. Here is the storyboard section that I created:

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